Here you will find information and photos about upcoming restoration projects that will be made possible by the generosity of art lovers like you. The red titles indicate that you can click to enlarge and read more about each upcoming restoration. It is possibly to fully or partially fund restorations. However, the restorations below that indicate “Leonardo” have been reserved for Friends of the Uffizi Gallery Leonardo members.
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Rembrandt Harmenszoon van Rijn (Leyda 1606 – Amsterdam 1669 )
Self‐portrait
Inv. 1890/1864



Carriage
18th century
Gilded and painted wood, metal, painted leather, silk and linen
440 x 220 x 178 cm.
Palazzo Pitti, Museo delle Carrozze

(c. 1530–1531)
Bonifacio de’ Pitati, known as Veronese
(Verona 1487 – Venice 1553)
Oil on canvas
124 x 265 cm.
Carved and gilded wooden frame, Florentine carvers’ workshop, late 17th century

Holy Family with St. Anne, known as The Madonna of the Partridge
c. 1670
Wool and silk
230 x 154 cm.
Inventario Arazzi no. 769
Presently on long-term loan to the Sede Nazionale Confederazione delle Misericordie,
Via dello Steccuto, 38/40 – Florence (FI)

Sala delle Carte Geogrrafiche
Frescoes Specifically Depicting The Florentine Heritage Dominion
Room of Bona
Bernardino Poccetti
Wall paintings in Pitti Palace
Famous Men and Women
Andrea del Castagno (Firenze 1445-1510)
Large frescoes: (8 ft. 2 ½ in. x 4 ft. 11 in. )
THE VALOIS TAPESTRIES
The Valois Tapestries are comprised of a series of eight tapestries woven with silk, wool and gold and silver thread and dated around 1575. They are based on designs by Antoine Caron, who in 1561 had been appointed the court painter by Catherine de’ Medici, queen of France, and her husband, Henry II. Seven of the tapestries are in need of restoration, but “The Bayonne Tournament” was restored between 1998 – 2003 with funding from the Italian government and our sister and founding organization in Italy, Amici degli Uffizi. Catherine’s granddaughter, Christina of Lorraine, brought the tapestries to Florence in 1589 as part of her dowry for her future husband, Grand Duke Ferdinando I de’ Medici. At that time, their recorded value was 3,250 scudi, the equivalent of about one million dollars today.
The Joust
Valois Tapestries Series
Tapisserie de Bruxelles, 16th Century. Cartoon by Lucas de Heere, from a drawing by Antoine Caron.
The Combat
Valois Tapestries Series
Tapisserie de Bruxelles, 16th Century. Cartoon by Lucas de Heere, from a drawing by Antoine Caron. From the gallery in the Castle of Fontainebleau,